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lord of the shithouse

by draag me

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  • Record/Vinyl + Digital Album

    - Edition of 300 see-thru hot pink LPs
    - Full lyric sheet insert
    - Download card

    Includes unlimited streaming of lord of the shithouse via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Record/Vinyl + Digital Album

    - Edition of 100 black vinyl LPs
    - Full lyric sheet insert
    - Download card

    Includes unlimited streaming of lord of the shithouse via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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    edition of 100  16 remaining
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      $22 USD or more 

     

  • Cassette + Digital Album

    - Run of 100 professionally duplicated cassettes
    - White Shells with Purple Ink Imprints
    - 7-panel J-Card contains full album lyrics
    (Vinyl Jacket background not included!)

    Includes unlimited streaming of lord of the shithouse via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 2 days
    edition of 100 
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      $11 USD or more 

     

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
falling forward like a nuisance. i strive for success when i have the time and sigh. any way i might drive straight to the point. falling forward like a pressure gauge. but it’s fate. falling forward like a saint. came down a causeway with god’s restraint. who gon’ cosplay the cause today? which one of y’all gave the sauce away? i can’t concentrate! still falling forward. tall order, yet i’ll endure it. smile, it’s all recorded. i’m lost like all importance. it’s all performance, it’s all extortion. last call to ball if y’all ignore it. can’t withdraw once gone in orbit. we outta here, baby! student of the ruthless movin’ with no confusion. bold to hold us human bones been looted, no solution. more minutiae over shooting but we used to groovin’. super nuisance, too elusive. too deluged with new illusions. it’s always the little things spent all day, just grimacing. they parlay this middling. it’s sickening… it’s riveting! joy’s the elective when death’s relentless that, too, is reckless. but who gon’ check this? birth the earth, dependents resent it. our mother burns for another turn. how i’ve suffered, yet i’ve come to learn. i could get paid forreal but i can’t escape forreal. unless you wanna… we can’t talk about that here.
2.
every day is pressure. not these stakes considered treasure. i leave my life until i’m pleasant. these conversations make my head hurt. just write it up and cut the check, okay? now i’m a threat, okay. leave my body till i’m back in the city. obfuscate and then enlighten some day. just cut the check, cut the check. now i’m a threat, okay. fill my body with this sense of hate. i’m the pebble that you kicked away. just cut the check, cut the check. every day is less and less. the sun goes down in increments i guess. i put the pen to paper less and less. desire sycophants to ease my stress.
3.
i’m heading for the coast line. i’ll leave the problems of this world long behind. i do not make it in time. this is the dream i frequently do design. reticent and cold i linger in the glow. wax figures in the rain, piss alleys of the soul. don’t call on me expecting. passing out ropes for the actors. i don’t give a f**k about the past, just put me in a casket; nothing comes after. i thought we had to go much faster. a guest in the present, a ghost of thirty years of disaster. the truth is the latter. your friends are a mirror. a light won’t shine any clearer now that you know. no. i know my function’s minimal. slower now, miserable. i’m piss in the alley, the rain on the window, the drive past The Dive and the dead in the old home. don’t call on me expecting shit.
4.
i bought a real education. it’s only real enough to avoid confrontation. just once and i’d die. i feel the sweat from the buildings. the sun is punishing above. bodies drip through the sidewalk cracks then come back to life. i’m gonna tell everyone to assuage their discomfort. i know lies couldn’t hurt them but it might in their dreams. a slip of paper with ones decimating the futures of a people in love fidgeting in their jeans. spot a dumb f**king prick throwing rocks at my window and he throws and he throws but he never succeeds. bitches throwing stones like raindrops. a lot of heads talking and they don’t stop. i feed em to the birds, like Byrne with the words. i know they rot because i’ve got it and they do not. and1 come and get your face lost. learn yourself a lesson like brainpop. you’ll think i’m walking with a blade the way i stay sharp and when i come around the curve you better quit gawking. a sea of wasted time with all this spitballing. ain’t it funny how the first ones that you pick when you turn your back are the same first ones to come around and throw a brick.
5.
memory 107 02:11
i watched my life go, my mind breaks. and all it took was one conversation. two people that ran out of time. in the end i would have thought we’d live but… detached, in bed, i see your face and kiss your head a million times. i can’t live, i resign, i’m out of time.
6.
death cult 02:31
joanie went off campus, thought she found an actor. said she’s coming back but never did. pain behind the temples. party served up absinthe. no one ever comes back, they stick. growing like a weed in the garden. stupid kid couldn’t finish what he started. floated through the scene in a bad dream. fleeting acts in a stack, discarded. asphalt sets the skin graft, locks on every window, i step in the material world. seasons never change here. prospects look the same here i just want the — once i had a bad fall. said “come up and visit.” no one left her out of their sights. so i filled my pockets with what they couldn’t finish, had a sip and asked for a light
7.
the city has no culture since you left. i’m not sure how to cry. i feel like a thorn in your side. with enemies i sympathize. but when you came around you f**ked up my whole life. riding in my car, floating, am i wrong? it’s that, what you do. don’t let me down like you’re supposed to (my friend). i know the way out of this one. you can’t follow through. the faces of vultures eating the culture. no reason, we both can’t.
8.
my face gets old. cracks in the sidewalk i’ll keep avoiding. i can’t even approach it. first though, sweat dangles from the smoke ring. i know you’re always joking. i try to take the first step. seconds later, choking. i know you always won’t be. i know always, you won’t be. keep my head down like a coin flip. no contact. money in the bank is a mountain and i might slip. signed contract, i wonder if they know that it don’t mean shit.
9.
flipping and whipping the shit. hop out and flick on the wrist. i am feeling my best. time resets. i’m not feeling no better. i’m feeling so dead. i’m feeling new. talkin. moving target, i am in the forest. i am loyal servant . see u, love u. i am a target. basic logic, i am in the forest. i lay here exhausted. tell me if u want it. i am waiting loyal. how u write the story im dedicated, loyal. i don’t want to tell you that it ends. f**ked up how long its taking. ive been here waiting. i don’t see you. so what? you don’t wanna be the one to save it? i don’t need faith. i don’t see faking with you. on a steep grade its a cheat, blade in the view. on the hunt for something vicious i became the target. trouble when i walked in. tell me if you want it. are you down? are you holding tonight?
10.
every time i come through i improve, just the same as the tone from tidal waves and designs of a face etched in time but also changing with it. i write less. imagine a future o compilations of text. ableton stay open, pipe dreams coalesce into the drums above, images in a line. i thought i couldn’t love, not even the sky. watching the flickers of the lightning bug tempting me to jump into the grief of losing a love. dun dun dun dun dun dun. damn its in another song. “what u trippin for, i thought you was grown? ” i heard in the back of my mind. blurred by the smoke. that’s just how this shit goes.
11.
silence is the key, i’m talkin bout Denowitz. i silence the C's but Irving reap the benefits. i'm a play dead now but i'm a perfect synergist. scrape the dinner plates pal triggering my inner gifts. watch a black heart bleed for entertainment nightly, suffocating pipe dreams you're cordially invited see. simple plan with sinner juice. you're gonna find me first in line here, at the kissing booth. gonna find my queen. make a n**** spiritual. you know that I can't let you go. you're from another galaxy like me. it's open season you catch the scent when my rib cage start bleed. my toes kneelin. stop comparin my game to bitch ass Adam Theilen. filed a grievance as long as this weed hits. please believe it a touchdown. 4 pancakes is gon' be the last thing yo ass get in my state said the prison warden. in the winter we get about double the numbers. blames big government for all the pain and sufferin. i ain’t above it. i'm locked in man think nothing of it. i'm locked in man but you warned the public. i'm not to easy to process. i'm just part of the process, make it easy to digest. and we callin this progress.
12.
nightclub 02:12
i thought you had paid, had it covered. i jumped up to see where you were. in the corner of my eye you were glowing. please, let’s not fight in front of eyes, let’s just have a discussion. falling but forward (i keep it down). half of the time it’s Mutations. the other half it’s Voyeur. spanning time with no patience and no vacations. getting kicked out of public places. watching you flow through a nightclub, it’s dizzying. watching you flow every night.
13.
following 04:25
the city is a night bus. i wanna eat the skyline but it’s all gone. i think someone is behind us following. put this all behind me. brandishing a pocket knife in my brain. i can never come down. i’m the best, that’s the truth, and that’s all that you know. where i go next: the city on a night bus. no, lights don’t blind me. i am full elation. polishing my shoes. never make phone calls. it’s all a sign proves unless you lose. i think someone is behind us following. but he’s suffering. someone following and it’s everything (but it means nothing).
14.
all i do is work. how can you depend on me? clocking in and out, spending money frivolously. i am a machine giving back to industry. i want to reimburse the creators that employed my seed: i am the lord of the shithouse. in time i’ll become a household commodity. you’ll see me in your dreams, you’ll see me in your shit and see there aren’t new ideas. the alternate reality. i pray you’re self involved enough to find a better way. you’ll see. i am the lord. i’m reeling. tell me that you need it. tell me that you mean it. i could never leave it now. got enough to get back if i’m lucky – for a train and a cab. do you trust me? i found peace in the leaves on the concrete. i could save up a jar and they’d never find me.
15.
give me something for the come down cause i could use a little slow motion. plus a minute to play catch up. just a second while this adds up. you don't have to hold back that much. i feel it building. all this pressure got me reaching to relieve it, i hit the curve and know i wish that i could level out. you got me so i get the next. i plant this, sow, come and collect. i planned this so with all respect i’ll be seeing it through. i don't know how i got so far. fist to the face in a front yard. fanning the flames just to get started. friends gathering in the fake gardens. callousness craving to stay hardened. wait in the shade til a change charges. afraid of a game that i play pardoned. as if i don’t got options. as if i earned this godsend. as if – i learn un-mocked and (floats with the cost, people we lost, personal loss, everything gone: that’s it, i tried.) will you recognize my face next time you see it and when you do i hope you know that they don't love you like i love you, they don't see you the way that i do. they don't know the things that i knew.

about

"On the album, the duo’s warp-speed compositional style is thoroughly captivating. They’re clearly proficient in various strains of electronic music." - Pitchfork

"Dissonance, crucially, is not the motivator: moments of deeply beautiful, haunting melody are strewn across each song on Lord of the Shithouse, an album that cherishes the uniquely expressive characteristics of sound and smashes them all together." - The FADER

"Schwartz and Wichlin wade through hazy, woozy pop numbers that feel a little like melting vaporwave featuring more conventional vocals, occasionally soothing new wave textures bumping up against sputtering effects and danceable beats with an ominous sense of doom bubbling up beneath the surface." - Treblezine

Philly-based draag me, the project of Spirit of the Beehive’s Zack Schwartz and Corey Wichlin, is music for after hours internet wormholes, bus rides at night. Your eyes are bloodshot, the city from outside your window is grayscale, wet with rain. All of this is told through heady loops of samples, sinuous waves of distortion, the occasional moment of resonance by way of a keys or guitar. This is the kind of aesthetic terroir of "lord of the shithouse," draag me’s second record (and the first with Wichlin), the follow up to 2020’s "i am gambling with my life."

"lord of the shithouse" materialized during the pandemic. Schwartz and Wichlin, both stuck at home, sent emails to each other with ideas for songs. And over the course of a year, file sharing turned into fully realized tracks. Songs left on the cutting room floor of Spirit’s landmark record "ENTERTAINMENT, DEATH", got rejiggered, made stranger, and put into the draag me universe along the way. But make no mistake — draag me isn’t a Spirit of the Beehive side project, it is a project that exists in a swirl of its own. The songs on this record are far more knotty, circling the drain of psychedelic pop, industrial music, r&b, and electronic. There’s no need for labels here: "lord of the shithouse" is a record free of genre, and in its penchant for experimentation there is a real sense of clarity.

Opener “like a nuisance,” is like coke and mentos in the middle school parking lot. A buzz of an old rotary phone, yanked off the hook. Synths and percussion crash into a strident flourish of strings. And at the halfway point, the rapper CRASHprez comes in, free associating. “Smile it’s all recorded,” he raps, “I’m lost like all importance/it’s all performance.” His verse is one of four features on the record. Each of these four artists wrote their own lyrics, Schwartz and Wilchlin wanted to give these artists the chance to improvise, to make their own art within the space of the song. “blade in view,” features Body Meat, a fellow Philly-based experimental weirdo. The song is woozy, moving at a drugged-out pace.

“death cult,” similarly underscores that wooziness, of walking around outside and feeling like the trees around you are floating, that the sun could burst into a midday eclipse at any moment. “nightclub,” is a comedown, a bad vibe after a shitty day that ends with staying up until four in the morning inside of an algorithm-curated YouTube hole. Much of "lord of the shithouse" is like this: interested in being nebulous, at capturing a feeling and pining it to a piece of cardboard like a dead bug. Don’t look for a narrative over the record’s forty minutes, look for these energies that exist within abstraction. And these energies are highly curated, labored over, controlled.

credits

released August 18, 2023

Written, Performed, Recorded, and Mixed
by Zack Schwartz & Corey Wichlin

Featuring vocals Written, Performed, and Recorded by CRASHprez (1), Body Meat (9), Pedazo de Carne Con Ojo (10), and Devin McKnight (11)

Featuring vocals performed by Peggy Fioretti (5)

Mastered by Andy Clarke

Album Art by Rivka Ravede & Corey Wichlin

Layout and Design by Corey Wichlin

Insert photo by Alex Custer

Doom Trip Records 2023

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